Description

In the near future, a time of artificial intelligence: 86-year-old Marjorie a jumble of disparate, fading memories has a handsome new companion that looks exactly like her deceased husband Walter. This is a Prime, a holographic simulation programmed by Marjorie’s daughter and her husband Jon to feed the story of her life back to her. But as their interactions develop it becomes clear that each of them has a very complex relationship with their shared histories, with each other, and with this new technology they’ve invited into their home… ‘A holographic John Hamm and a standout turn from Loise Smith are two of the many pleasures packed into this soulful drama set in a future where death doesn’t need to be the end’ ? ? ? ? – The Guardian ? ? ? ? – The Times ‘A clever and affecting meditation on memory, bereavement, love and remorse’ ? ? ? ? – The Independent ‘A haunting, quietly poignant tale’ ? ? ? ? – Daily Express ‘A film that doubles and trebles in complexity as it dives inward to a place of strange intimacy…’ ? ? ? ? – Time Out ? ? ? ? – Evening Standard ‘A treat for the brain and soul’ ? ? ? ? – Empire ‘…questions that it raises about how we approach death and the ways we memorialise the dead will surely resonate with many viewers’ ? ? ? ? – Little White Lies ? ? ? ? – The List ? ? ? ? – City AM ? ? ? ? – Film Review Daily ‘Exquisite – beautiful, intense, shivering with empathy’ ? ? ? ? – Vulturehound ? ? ? ? – The Skinny ? ? ? ? – Filmuforia ? ? ? ? – The New York Times